Film Reviews 3: “Zombieland”, “Up”, “Rosemary’s Baby” and 16 others…

into the wild sean penn emile hirsch 2

This edition: ‘Away We Go’, ‘Bitter Moon’, ‘Brazil’, ‘Drag Me to Hell’, ‘Fish Tank’, ‘The Fearless Vampire Killers’, ‘Get Smart’, ‘Into The Wild’ (pictured above), ‘L.A. Confidential’, ‘Lawn Dogs’, ‘Margot at the Wedding’, ‘Punch-Drunk Love’, ‘Rosemary’s Baby’, ‘The Squid and the Whale, ‘True Romance’, ‘Up’ ,  ‘Whatever Works’ and ‘Zombieland’.

This edition: the average rating is 6.42/10, and the choice film is “Brazil”.

Away We Go
(2009) – 6/10

Director: Sam Mendes
Writers: Dave Eggers, Vendela Vida
Starring: John Krasinski, Maya Rudolph, Jeff Daniels

away we go sam mendes dave eggers john krasinski maya rudolph

Let us go then, John Krasinski and I, when the plot is spread out across America like any indie road trip film, etherised upon a table; let us go through certain half-amusing scenes, the muttering retreats of inconsequential characters in one-joke homes to lead you to an overwhelming question… Oh, do not ask, “What is it?” Just don’t necessarily make a visit.

Bitter Moon
(1992) – 4/10

Director: Roman Polanski
Writers: Roman Polanski, Gerard Brach, John Brownjohn
Starring: Hugh Grant, Kristin Scott Thomas, Emmanuelle Seigner, Peter Coyote

bitter moon

Quite frankly, terrible, but also hilarious, if not just for the bizarre plot of a man in a wheelchair dictating his sexual history to Hugh Grant, but mostly for Hugh Grant’s facial reactions over the film’s two hours. Strangely compelling and unwatchable at the same time – a bit like the actual moon.

(1985) – 8.5/10

Director: Terry Gilliam
Writers: Terry Gilliam, Tom Stoppard, Charles McKeown

brazil terry gilliam

The world’s most dangerous terrorist fixes air conditioning. Gilliam’s dystopia is like your dystopia, only better.

Drag Me to Hell (2009) – 6.5/10

Director: Sam Raimi
Writers: Sam Raimi, Ivan Raimi
Starring: Alison Lohman, Justin Long, Lorna Raver, Dileep Raver

drag me to hell sam raimi Alison Lohman

An entertaining horror comedy, but it just doesn’t compare to the Evil Dead series, which are unrivalled in ‘cinematic awesomeness’ (not my term, I heard it on a train). Raimi understands his audience, so he doesn’t try too hard to form a developed plot, and instead creates a series of amusing set pieces. And you get to see Alison Lohman dragged to hell, which is always fun to watch.

The Fearless Vampire Killers
(1967) – 6.5/10

Director: Roman Polanski
Writers: Roman Polanski, Gerard Brach
Starring: Jack MacGowran, Roman Polanski, Sharon Tate, Ferdy Mayne

the fearless vampire killers Roman Polanski, Sharon Tate

Aside from a few unforgettable scenes, I’m not sure there’s much substance to The Fearless Vampire Killers, although you probably guessed that from the title. Neither a horror nor a comedy, it’s too farcical to be a horror, yet there are few jokes.

Luckily, the memorable moments are very memorable: Polanski’s amusing yelps, an escape scene involving using a coffin as a toboggan, and a five minute dance involving a hundred people in a room that ends when a mirror reflection only shows three people, thus indicating that everyone is a vampire. So it’s worth checking the mirror now and then, not just to make sure you haven’t smeared any mascara all over your pretty face.

Fish Tank
(2009) – 6/10

Director/Writer: Andrea Arnold
Starring: Katie Jarvis, Kierston Wareing, Michael Fassbender

fish tank andrea arnold katie jarvis Michael Fassbender

Fish Tank is very much like looking at a fish tank: you see a fish tank that is very much like every other British realist fish tank being released every year at cinemas. Apparently, the main actress was picked for the role when she was spotted having an argument with her boyfriend at a train station.

Get Smart
(2008) – 6/10

Director: Peter Segal
Writers: Tom J. Astle, Matt Ember
Starring: Steve Carell, Anne Hathaway, The Rock, Alan Arkin

get smart steve carell anne hathaway

Carrell and Hathaway make this ‘trash’ extremely watchable without being particularly clever, funny or exciting. Hollywood moves in strange ways, with a few unnecessary explosions.

Into the Wild
(2007) – 8/10

Director: Sean Penn
Writers: Sean Penn, Jon Krakauer (book)
Starring: Emile Hirsch, Jena Malone, Catherine Keener

into the wild sean penn emile hirsch

Every parent’s nightmare: Emile Hirsch will desert you. It’s to Sean Penn’s credit that a film based on one man’s isolation, and thus a lack of dialogue, can be so moving and captivating over 148 minutes. There are tricks, such as Jena Malone’s voiceovers and Hirsch making new friends along the way, but I think it’s down to something else: the idea of changing your name and running away to live without money is a fantasy many people have but would never considering trying out, yet the audience can be Hirsch for 148 minutes.

L.A. Confidential
(1997) – 4/10

Director: Curtis Hanson
Writers: Brian Helgeland, Curtis Hanson, James Ellroy (novel)
Starring: Kevin Spacey, Russell Crowe, Guy Pearce, James Cromwell

la confidential russell crowe

I’m not sure how to criticise this film without using the word ‘boring’ (film critics aren’t meant to use that word, even though I’m not really a film critic) or ‘vacuous’ (it’s set in L.A.) to describe it, but it’s probably more that I’m too boring and vacuous to ever enjoy this type of film.

Lawn Dogs
(1997) – 8/10

Director: John Duigan
Writer: Naomi Wallace
Starring: Sam Rockwell, Mischa Barton, Kathleen Quinlan, Christopher McDonald

lawn dogs John Duigan sam rockwell

The best film about a lawnmowerer I have ever seen. A better examination of class struggle in suburban America than the first series of Weeds, that episode of The Simpsons where Marge keeps updating a dress for an exclusive club, and what Jane Austen would have done if she was American. And still alive.

Margot at the Wedding
(2007) – 6/10

Director/Writer: Noah Baumbach
Starring: Nicole Kidman, Jennifer Jason Leigh, Jack Black, John Turturro

margot at the wedding noah baumbach nicole kidman jack black

It’s a tree.

Punch-Drunk Love
(2002) – 8/10

Director/Writer: Paul Thomas Anderson
Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Mary Lynn Rajskub

punch-drunk love paul thomas anderson adam sandler philip seymour hoffman

There is a real ‘love conquers all’ motif that passes the hard task of not seeming comically unbelievable, and that is down to a sharp script with sharp direction. Sharp.

The Squid and the Whale
(2005) – 7/10

Director/Writer: Noah Baumbach
Starring: Jeff Daniels, Laura Linney, Jesse Eisenberg, Owen Kline

the squid and the whale noah baumbach jesse eisenberg boxing glove

A story of a two children coping with their parents’ divorce, and each of the main characters are human (apart from the cat), so don’t let the title mislead you, if you decided to watch this film after enjoying Snakes on a Place.

True Romance
(1993) – 6/10

Director: Tony Scott
Writer: Quentin Tarantino
Starring: Christian Slater, Patricia Arquette, Dennie Hopper, Val Kilmer, Brad Pitt

true romance gary oldman riff raff quentin tarantino tony scott chopsticks

There’s nothing that compares to the likes of Pulp Fiction or Kill Bill, and perhaps it should be left for a rainy day. That is, if it is raining bullets or Christian Slaters (although I would never joke about the weather, even if it is raining clowns).

(2009) – 4/10

Director: Pete Docter
Writers: Bob Peterson, Pete Docter, Tom McCarthy
Starring: Ed Asner, Christopher Plummer, Jordan Nagai, Bob Peterson

up pixar balloon house

I’m not ageist, but I really dislike children and old people. Especially in animated form.

Whatever Works
(2009) – 7/10

Director/Writer: Woody Allen
Starring: Larry David, Evan Rachel Wood, Patricia Clarkson, Ed Begley Jr., Michael McKean

whatever works evan rachel wood woody allen larry david

Whatever Works isn’t necessarily a return to form for Woody Allen, but I found it to be his most enjoyable film since 1993’s Manhattan Murder Mystery. So it is strange to say that isn’t a ‘return to form’, but it doesn’t compare with his classics from the 1970’s. And, fittingly, this is a discarded script that was written in the 1970’s. Larry David takes the traditional Woody Allen role and it feels like a surreal episode of Curb Your Enthusiasm that involves Evan Rachel Wood as a runaway Southern girl who appears out of nowhere without any depth to her character. In fact, none of the supporting characters have any depth, and it feels underwritten and inconsequential, especially with the blasé happy ending and scenes that don’t involve Larry David.

However, this is from Allen’s golden era – yes, the era that brought Annie Hall, Play It Again Sam and Manhattan, and everything from these few years brims with brilliance (although I haven’t seen Interiors yet); despite its flaws, Whatever Works is hugely entertaining and is very funny, particularly in the opening thirty minutes. So, Whatever Works works.

(2009) – 8/10

Director: Ruben Fleischer
Writer: Rhett Reese, Paul Wernick
Starring: Emma Stone, Abigail Breslin, Jesse Eisenberg, Woody Harrelson

zombieland jesse eisenberg woody harrelson

I watched this the same day as The Squid and the Whale, so it felt a bit weird watching Eisenberg killing zombies.

Follow @halfacanyon for more. Unfollow @halfacanyon for less.

About Nick Chen

26-year-old journalist who's written for places like Total Film, Sight & Sound, Little White Lies, Complex, SFX Magazine, Dazed and Confused, Grolsch Film Works, London Calling, Vice, and a bunch of other places. Why pencils have razors. Based on a book. Screenwriter. Buzz word. London. Twitter: @halfacanyon. Lesser known Olsen brother. Multiple instances of words misused contemporaneously.
This entry was posted in Film review and tagged , , , , , , , , , , , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s